Normally,those holes were drilled either equidistant,or on one side only in the Gretsch factory at that time. It could be a custom job,anything's possible,but not likely,as there were to my knowledge,not a lot of custom orders called into Turkey. I may be wrong,like I said,but that info is based on what I know, have seen and read on the subject. I'm sure someone over at cymbalholics,who knows more on the subject may disagree,LOL.
Cheers mate Steve B. Giant score on this deal!!! Appears to be a stamp used from approx. Be careful to rule them as junk until we take a peek. That is an Istanbul stamp,and not Constantinople. Those Istanbul stamps were used from around 59 to 66 or so. If it was a Constantinople stamp,I would agree.: Steve B Correction respectfully accepted. Sorry if I led anyone astray.
I have a 20" K. Zildjian from around or that has similar lathing, shape, and bell. Mine was drilled from the factory with 8 rivets installed.
Hold on to it. Every jazz artist in the world would like an old K like that!!!!!! I had all but forgotten about my old K until I saw a video with Kenny Washington explaining how he worked with Zildjian to produce the K. His old cymbal that was given to him by Mel Lewis had a familial tone to it. Mine is very similar. It just has too much damage to reinstate it into the work force. It wouldn't even be worth half that much to me unless I would just hang it on a wall. Looks in good condition to me, but I am a novice The keyhole is a shocker and whilst it's hard to tell for sure, I'm wondering if there may be some dings on the sound edge too.
Still, if a cymbal in less that stellar condition can generate in excess of quid, it bodes well for yours should you choose to flog it off. Erm, somehow I managed to miss the keyholing when looking at the photos, yes, that's pretty bad After having recorded with mine, I am most definitely NOT selling it! Remember that the prices you see on eBay are often speculative unless bids have been put down.
You'll often see the same Old K on there for weeks being reposted until somebody bites at what seems like a ridiculous price.
THE CYMBAL MAKERS
Generally 20" - 22" 'light' rides are the cymbals that everybody gets excited over. After having recorded with mine, I am most definitely NOT selling it! Geez, you're learnin' fast for a novice!! Luckily for everyone I won't be playing these drums much, have access to some great players. It's nearly a 20" ride and it's the lighter end of the spectrum, that's why.
Zildjian Cymbals Home
If it were a 21" ride it would be going for double that. They're undoubtedly very nice cymbals if you get a good one. Zildjian didn't really have any quality control at this point in their history and everything they made went out of the factory bar major defects so there's a lot of difference between 'good' and 'bad' Ks.
Mostly, the thinner ones are generally 'better' but also much harder to come by because of the susceptibility to breaking. Each cymbal features a patina finish that reproduces the look of a decades-old cymbal. With broad weight variations among each diameter, selecting an A Avedis cymbal is a unique experience.
Gram weights of each cymbal are written underneath the bell. Known for their versatility, these bright cymbals range from paper thin and delicate to extra heavy and cutting. FX Add exotic colors and character to your sound by experimenting with a variety of innovative effects and accents. S Family Zildjian is proud to introduce a new modern cymbal voice developed after an intensive two year research and design project.
Introducing the S Family — a versatile collection of bright and expressive cymbals built with a balanced frequency response, making it suitable for a variety of musical styles. The S Family will redefine your expectations of what a B12 alloy cymbal can deliver.
Play where you want to. Gen16 Gen16 is a true hybrid system, blending acoustic with electric. Discover a whole new world of cymbal sounds with the Zildjian Gen16 System. Profile Degree of curvature from the cup to the edge.
Early American K (EAK) Zildjians (1979-1981)
Higher profile cymbals will be higher pitch and have fewer overtones. Flatter profile cymbals will be lower in pitch and have more overtones. Taper Degree to which the cymbal changes in thickness from the cup to the edge.
- Old Stamp IIa (1945-1949).
- How to tell the age of a Vintage Zildjian?
- Old Stamp I (1930s-1945).
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The design of the taper will contribute to the amount of Crash-like or Ride-like qualities in the cymbal. Bell All other factors being equal, the bell or cup size determines the amount of overtones of ring projected by a cymbal.