The pin is silver in appearance. The buttons are brass. The pin appears to be an inexpensive, slush-metal die cast pin and appropriate to what one would expect on this plush doll.
If pressed to identify a single maker, Dawn suggested looking into the Sterling Doll Company. Specific information about the company is scarce. As before, knowing what to ask often reveals critical information. It has to be a companion piece to the doll you purchased. Your Army plush doll does have WOW value, especially given its size. It is a great conversation piece. While WOW is a value, it does not always result in a substantial financial value.
Dating Paine Furniture
I like it better. When my mother worked in Washington, DC, in , she purchased a centerpiece silver plated salt and pepper set consisting of two birds sitting atop an elaborate leafed branch base. There are two marks on the bottom. I would like any information as to value. Because the centerpiece salt and pepper set is silver plated, it has minimal value.
I enlarged the mark but was not able to clearly distinguish the letters or numbers within it. Given the time period when the centerpiece set was acquired, I suspect it was an inexpensive European or Japanese import. The set has no value tarnished. Normally, I would not recommend using a dip or metal electrolytic cleaning plate for any metal product.
Because of the minimal value of piece, even polished, you have little to lose. Expose the piece to the electrolytic cleaning plate or dip for only a few seconds. Wash the tarnish off quickly. Try to preserve as much of the silver plate as possible.
It measures inches wide by inches long. At that point, sleds were being produced in Media, Ohio. When Roadmaster purchased the production rights to Flexible Flyer in , it moved manufacturing to Olney, Illinois, and in to China. Given this information, your sled was made between and Rinker welcomes questions from readers about collectibles, those mass-produced items from the twentieth and twenty-first centuries.
Selected letters will be answered in this column. Harry cannot provide personal answers. Photos and other material submitted cannot be returned. Davenport, both of Cambridge, Mass. He's quick to point out that many copies have slightly altered proportions or incorporate details that didn't exist on authentic 18th-century examples.
Often it takes turning over chairs or turning around desks to know what you're really looking at. In Winterthur's Furniture Study exhibition, comparing two Windsor armchairs shows how careful consumers must be to avoid mistakes. One armchair is clearly branded under its seat with the mark of Wallace Nutting , a famous photographer, writer, collector and furniture manufacturer.
Nutting's well-made reproductions are collectible in their own right. The other chair has no maker's mark and several worn layers of paint, suggesting a long history of hard use.
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However, closer examination of the unmarked chair's crest rail reveals a striking similarity to the Nutting example. Both were made in the 20th century.
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While Nutting's marked chair is an honest reproduction, the unmarked chair is a fake, meant to deceive people into thinking it's the real McCoy. For a piece to be authentic, factors such as its form, finish, construction, history of ownership, condition, ornamentation and overall appearance "have to add up," says Leigh Keno, an Americana dealer in New York, who looks for tell-tale signs of age such as the marks left by opening and closing drawers, wear on feet, or how a piece's finish has aged.
Keno, noting that's precisely how they're fooled by fakes. At Winterthur a painted side chair and two painted card tables are used to show how modern finishes look different from old ones. The chair, never cleaned or refinished, has an aged brown patina which some collectors prefer. One table has been cleaned and the original paint restored to look much as it did when new. The other table has been cleaned down to the original paint but not restored. In another section of the gallery, a drawer from a year-old chamber table shows the oxidized color of old wood, darker in front where light hits it more often, lighter where it never sees the sun's rays.
Next to it, a drawer from a faked washstand, made between and , has been stained to simulate oxidation, but lacks the subtle gradations of color often likened to the browning of a sliced apple. A true survivor in the world of American decorative arts is the list of 14 points of connoisseurship which the late Charles F. Montgomery taught to a generation of museum curators at Winterthur, where he was director and senior research fellow from to , and then as a professor at Yale University , where he also was curator of Yale Art Gallery's Mabel Brady Garvan and Related Collections of Americana.
Montgomery's points for judging an item's authenticity are: In a marriage of old and new technologies, each point is explained in Winterthur's "Furniture Study" exhibit on labels, touch-screen computers and audio tapes in English, Japanese, Spanish, French and German. Laminated cards printed with pictures provide a glossary of terms, and Please Touch displays enable exhibit-goers to handle tools and samples of woods and finishes. Hunt says, adding that the market for reproductions "hasn't experienced the price fluctuations of the antiques market.