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Please leave a comment below telling us how you have used bussing in your session or tweet us on our Twitter account. Thanks for a great article. Just wanted to clear my doubt. If I send mono track to a stereo bus there is a level drop of 2. So how to manage that please?
Setting Up Busses | Pro Tools Production
I hope that makes sense and you are able to help. Very helpful, simply informative tutorial. This helped me during mastering of a previously mixed session, particularly in the use of compression and minor level editing. What is the Input supposed to be set to? Sorry for the lack of knowledge. So for example you set up say three vocal audio tracks and record your three singers, those tracks now no longer require an input so you can set them to no input should you wish.
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We then want to route all these vocal tracks to one place so we could for example place a reverb on them as a single group. We set the outputs of these three track the Vocal Bus, so we now have all the signals routed to one place together but to actually use that signal we have to pull it in somewhere, this is where we create our Aux tracks and set the input as the Bus, this brings the signal in onto that channel for us to use.
Fantastic little tutorial ive just started using protools 11 with an mbox pro and all is great i was wondering how to set up and use busses and this has helped a great deal saves alot of hassle when you have mtiple tracks of vocals or instruments etc. Brilliant i have one question is occaisionally i get cpu overload when starting playback even with a few tracks that dont have a lot on would i need to set buffering or something like that your help would be great otherwise keep up the great work with these tutorials they are really helpful.
Glad to hear we have helped! Playback engine settings really come down to the performance you would like from your system. Increasing the buffer size for example will give you a more stable playback but will also come with the issue of lag on your inputs when recording. Things like CPU usage can of course be upped but that comes at the cost of putting pressure on your system which could result in unstable crashes.
Each of the values and options can be found in the Pro Tools documentation which may help you further? First off thanks for the great articles, im enjoying them: For some reason with the protools aggregate io selected as an input in quicktime I have no signal coming in therefore i downloaded sunflower and am using that as medium between quicktime and pro tools.
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Theproblem is that since i am not using thr main out i cannot monitor what im playing, i thought bussing would solve my problem but it seems i can only send one track via the bus to aux which goes to the main out! Can you point what im doing wrong? Also one curiosity, why the need for the bus when you can send the track directly to the aux input? Great to hear you like the website and thanks for stopping by! In answer to your second question I presume you are asking as to why I set the output of the tracks to an Aux track as opposed to using Aux sends?
After doing this, my panning is no longer working. Some tracks panned Left or Right are now Centered.
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How do I fix this? Could you explain a little more about your issue? I have done all these but my aux track faders are greyed out so I am not getting signal into them. I have PT 10 Thanks,.
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Greyed out faders usually mean that they are inactive so they will not take or process any signals, have you tried right clicking the track and making them active again? Your email address will not be published. While this tutorial in particular will reference using vocal tracks, the same process can be used within your Pro Tools session on anything you like whether it be to create a drum bus or even a sub-master fader to control the level of your mix before it hits the master fader… Why Use Busses?