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This song was premiered in during a governmental speech of President Juan D. Tango declined again in the s, as a result of economic depression and the banning of public gatherings by the military dictatorships ; male-only tango practice—the custom at the time—was considered "public gathering". That, indirectly, boosted the popularity of rock and roll because, unlike tango, it did not require such gatherings. There are two predominant theories regarding the origin of the word "tango. The tango consists of a variety of styles that developed in different regions and eras of Argentina as well as in other locations around the world.
The dance developed in response to many cultural elements, such as the crowding of the venue and even the fashions in clothing. The styles are mostly danced in either open embrace, where lead and follow have space between their bodies, or close embrace , where the lead and follow connect either chest-to-chest Argentine tango or in the upper thigh, hip area American and International tango. The milonguero style is characterized by a very close embrace, small steps, and syncopated rhythmic footwork.
It is based on the petitero or caquero style of the crowded downtown clubs of the s. In this case the embrace may be allowed to open briefly, to permit execution of the complex footwork. The complex figures of this style became the basis for a theatrical performance style of tango seen in the touring stage shows. For stage purposes, the embrace is often open, and the complex footwork is augmented with gymnastic lifts, kicks, and drops. A newer style sometimes called tango nuevo or "new tango", has been popularized in recent years by a younger generation of dancers.
The embrace is often quite open and very elastic, permitting the leader to lead a large variety of very complex figures. This style is often associated with those who enjoy dancing to jazz- and techno-tinged "alternative tango" music, in addition to traditional tango compositions. Tango canyengue is a rhythmic style of tango that originated in the early s and is still popular today.
It is one of the original roots styles of tango and contains all fundamental elements of traditional Tango from the River Plate region Uruguay and Argentina. In tango canyengue the dancers share one axis, dance in a closed embrace, and with the legs relaxed and slightly bent. Tango canyengue uses body dissociation for the leading, walking with firm ground contact, and a permanent combination of on- and off-beat rhythm. Its main characteristics are its musicality and playfulness. Its rhythm is described as "incisive, exciting, provocative".
The complex figures of this style became the basis for a theatrical performance style of Tango seen in the touring stage shows. For stage purposes, the embrace is often very open, and the complex footwork is augmented with gymnastic lifts, kicks, and drops. A newer style sometimes called tango nuevo or "new tango" was popularized after by a younger generation of musicians and dancers. The embrace is often quite open and very elastic, permitting the leader to initiate a great variety of very complex figures.
This style is often associated with those who enjoy dancing to jazz- and techno-tinged, electronic and alternative music inspired in old tangos, in addition to traditional Tango compositions. Gotan Project released its first tango fusion album in , quickly following with La Revancha del Tango in Bajofondo Tango Club , a Rioplatense music band consisting of seven musicians from Argentina and Uruguay, released their first album in Tanghetto 's album Emigrante electrotango appeared in and was nominated for a Latin Grammy in These and other electronic tango fusion songs bring an element of revitalization to the tango dance, serving to attract a younger group of dancers.
In the second half of the s, a movement of new tango songs was born in Buenos Aires. It was mainly influenced by the old orchestra style rather than by Piazzolla's renewal and experiments with electronic music. The novelty lies in the new songs, with today's lyrics and language, which find inspiration in a wide variety of contemporary styles.
Contact tango takes inspiration from Argentine tango and Contact Improvisation , both of which are improvised and not choreographed. Contact tango 'blends' the leading and following roles in a similar way to Contact Improvisation, and the dancing partners may frequently change roles during the dance. Contact tango may include the 'floor work' of contact improvisation or other improvised movements which maintain contact between the partners.
This differs from Argentine tango where stepping and walking are the dominant motifs. Contact tango is a partner dance but like contact improvisation, it may include more than two dancers on occasion. Ballroom tango, divided in recent decades into the "International" Yogita and "European" styles, has descended from the tango styles that developed when the tango first went abroad to Europe and North America.
The dance was simplified, adapted to the preferences of conventional ballroom dancers, and incorporated into the repertoire used in International Ballroom dance competitions. English tango was first codified in October , when it was proposed that it should only be danced to modern tunes, ideally at 30 bars per minute i. Subsequently, the English tango evolved mainly as a highly competitive dance , while the American tango evolved as an unjudged social dance with an emphasis on leading and following skills.
This has led to some principal distinctions in basic technique and style.
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Nevertheless, there are quite a few competitions held in the American style, and of course mutual borrowing of technique and dance patterns happens all the time. Ballroom tangos use different music and styling from the tangos from the River Plata region Uruguay and Argentina , with more staccato movements and the characteristic head snaps.
The head snaps are totally foreign to Argentine and Uruguayan tango, and were introduced in under the influence of a similar movement in the legs and feet of the tango from the River Plate, and the theatrical movements of the pasodoble. This style became very popular in Germany and was soon introduced to England.
The movements were very popular with spectators, but not with competition judges. Tango arrived in Finland in The melancholy tone of the music reflects the themes of Finnish folk poetry; Finnish tango is almost always in a minor key. The tango is danced in very close full thigh, pelvis and upper body contact in a wide and strong frame, and features smooth horizontal movements that are very strong and determined. Dancers are very low, allowing long steps without any up and down movement, although rises and falls are optional in some styles.
Forward steps land heel first except when descending from a rise, and in backward steps dancers push from the heel. In basic steps, the passing leg moves quickly to rest for a moment close to the grounded leg. Dips and rotations are typical. There is no open position, and typically feet stay close to the floor, except in dips the follower might slightly raise the left leg.
Unlike in some Latin American tango styles, in Finnish tango there is no kicking of any kind, and there are no aerials. Argentine , Uruguayan , and Ballroom Tango use very different techniques.
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In Argentine and Uruguayan tango, the body's center moves first, then the feet reach to support it. In ballroom tango, the body is initially set in motion across the floor through the flexing of the lower joints hip, knee, ankle while the feet are delayed, then the feet move quickly to catch the body, resulting in snatching or striking action that reflects the staccato nature of this style's preferred music.
In tango, the steps are typically more gliding, but can vary widely in timing, speed, and character, and follow no single specific rhythm. Because the dance is led and followed at the level of individual steps, these variations can occur from one step to the next. The Tango's frame, called an abrazo or "embrace", is not rigid, but flexibly adjusts to different steps, and may vary from being quite close, to offset in a "V" frame, to open.
The flexibility is as important as is all movement in dance. The American Ballroom Tango's frame is flexible too, but experienced dancers frequently dance in closed position: When dancing socially with a beginners, however, it may be better to use a more open position because the close position is too intimate for them.